Women

Women Hindu goddesses are traditionally conceived to be strong figures,even indomitable ones. By comparing his female characters to these goddesses, Rushdie attributes them with a force of character.He perceives India as a matriarchy, where maternal power, energy, and love is the means to social cohesion. (Jennifer Takhar) Durga, the washerwoman who had nursed Saleems son in his sickness, is an important figure in Saleems life. As we understand from the description of her (pg:445), she is a powerful woman who is an opposite image of the docile Indian woman. She may be representing the power that is repressed in these women. Saleem fears her as she symbolizes the hope that he has lost.

Her name, even before I met her, had the smell of new things; she represented novelty, beginnings, the advent of new stories, events, complexities, and I was no longer interested in anything new. (pg:445) She is again the one who foretold Saleem’s death. So, these kind of women as witches inspired fear in Saleem. Like Durga, Parvati-the-witch, who is Shivas wife, is another important figure. She causes in creating their child which is necessary for the continuation. Mother was seen as a nation.

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There is parallelism between continuity of nation through having children. Women have roles in productivity; that is why they are important. Parvati acts as somebody restoring order. She helps Saleem return to Delhi by using her magic basket, making him invisible. Parvati reminded Saleem of things he had tried to put out of his mind. (pg:389) So, we can say that she influenced Saleem as other women, as being representator of a nation.

When we come to other women in Saleems life, for example Mary Pereira. She is the one who gives birth to Saleem; she creates him in both biological sense and metaphorical sense. She changes the babies and at the same time fates. Out of guilt, she attaches her whole destiny to Saleems life by becoming his caretaker.She also influences the class positions of the babies. (Saleem and Shiva) The pickling process which is a process of preservation, linked to preservation and continuity of traditions metaphorically, is significant. This food process is under control of females and it is an important source of authority and identity for the women.

It is the preservation of the past. The womens way is practical, oral; it is a way of transmitting tradition we can say. Pickling process is only a symbol of this transmission. So, Mary P., like the other women in Saleems life has great effect on Saleem. Reverend Mother, on the other hand, who is the bride behind perforated sheet turns out to be the head of the family. She is also very powerful.

She becomes the head after the marriage. She preserves identity of the nation. She is like the other women; asserts her authority in cooking. Her food, for example, revives Ahmed Sinai after freeze. She uses food as battleground where she wages her battles against her husband.

(W. Glasgow Philips 92) We see the monitoring of food, so simple and practical but can influence men. It is this simplicity of mothers, their affection influnces Saleem. To Saleem women, like India, is nothing without its past. no escape from past acquaintance.

What you were is forever who you are. (pg:368) And this connection to past is through these women. They are the ones who create nation and preserve it like the pickles. Amina, Saleems mother, changes and influences his life also. He sees her naked in the bathroom and witnesses her unfaithfullness on the phone.

All this causes him to have some kind of explosion in his head and that explosion causes him to hear voices in his head. It is the birth of Midnights Children. He sees mother, motherland, the nation-India-,earth is not pure as he identifies women with the nation. Identification is between the country and the body of the woman, especially mother. He sees the body of woman as the country and he should protect country as well as honor of mother.

But seeing her motheris not pure, the discovery of impurity in mother will bring crisis in his head- the multiplicity of nation-. The body is homogeneous as anything. Indivisible, a one-piece suit, a sacred temple, if you will. It is important to preserve this wholeness. (pg:237) Padma,whom Saleem exchanges opinions about how to tell a story is another significant figure.

While he writes, his illiterate listener, Padma, sits beside him showing her emotional responses to his stories, questioning their credibility. When Padma shows interest on her face, Saleem speeds on telling his story. She keeps questioning what is next?. She encourages him to write which is the only gift Sallem has for continuity, preservation. Padma is important as a caretaker; providing warmth, food, human kindness to Saleem. She is India for him, connected to all country as a mother.

She has earthly characteristic. She emerges as an earthly, stable, real, practical woman that ties her to the motherland. That is why, according to me, she is the most important character in this novel. But although she is a preserver for Saleem, she unwillingly poisons him by feeding him with things she thinks hell be ni love with her. It is a poison which is also a cure; both nourishing, reviving, perserving and also poisonous,destructive.

She is like India creating him. And ceratinly Padma is leaking into me. As history pours out of my fissured body, my lotus is quietly dripping in, with her down-to-earthery, and her paradoxical superstition, her contradictory love of the fabulous (pg:38) In short, women had important role in Saleems life. They are the mothers, the creators of men. If they were not on earth, no continuity would take place; there would be no world.

Saleem is afraid of them also because although they create him as nation creates men; they also prepare the fall of men. They both give significance and at the same time destroys. They can take away the identity as in Saleem. Saleem is the nation also as he creates; he writes. He tries to create meaning and form.

And women help Saleem create himself, his identity like the nation does to all human beings. But it can also unmake people. The women try to hold on to past and keep it safe as past is a country from which we have all migrated; that its loss is part of our humanity. (Imaginary Homelands; Essays and Criticism 1981-1991. London: Granta Books, 1991) And this statement teaches the migrants that reality is an artifact and it doesnt exist until it is made and it can be made well or badly, and it can also be unmade, like women did to Saleem. When we come to the question of why White Castle didnt give place for women might be because the childhood theme ook great importance in the book. For example, the grandfathers looking for his childhood at homeThat is why it gives much space for the child king.

There is the continuous looking for the simple, untouched ide before recognizing sexuality, leaving the mother, to have potency. There is again the fear to lose the pureness, wholeness of the childhood. And because of it there are the speeches in this novel that tells about the childhood naughtiness. It is like the fear of the child. And if we relate this to the women ,as we said women are the creators and they are connected to past, there is no escape from it and when it involves naughtiness and things like a child fears.

So, as the Hodja did, there is both an escape from it and at the same time looking for the past innocence. That is why there is no sexuality with women in the book. As they are feared, they can unmake men. The dangerous influence of women is not given permission in the book; only limited and innocent ones are implicitly told. Consequently, women and sexuality are barred and not given much importance as in Midnights Children happened the contrast. According to me, it is because it is known how influential women are and can be dangerous in creating.

And when you want something wholly new and create your own identity, as the characters in White Castle wanted, it is not a good idea to include women and sexuality. The women can bring fall of men while creating them. Acceptance Essays.

Women

Women In Architecture Of what historic and contemporary concern is it that the architecture profession has been, and continues to be, strongly male dominated in Australia (currently 90% of registered architects in NSW are men). Ideally, what proportion of the profession should women occupy and why? From the start of human history, we always experience certain level of inequality between sexes. It can be seen everywhere around the world and is a concern to everyone, both men and women. This inequality is an important issue within the workforce of many professions, such as being an architect, landscape architect, city planners and designers within the built environment. Industrial revolution is the onset for women to become segregated from home, creating greater spatial division to impact on gender roles.

There is common concept between the relationship of public and private space with male and female as described by Kate Lyons. This model represents the suburbanisation occurring in the late 19th century and the early 20th century. Many suburban women are forced within their daily activities due to the constraints on accessibility and mobility in low-density suburbs and lead to a feeling of being isolated from the inner city. These constraints of this gender role affect the women’s ability in the broader professions within the built environment, as they were restricted at home. “.. Architects do not like to employ women in their offices; contractors do not like to build from their plans; people with money to spend do not like to entrust its expenditure to a woman.” This is probably due to the fact that women are kept at home without ‘knowing much’ of the ‘outside world’; the design professions have intrigued women into marginal roles.

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Architects and other similar professional fields “have perceived women not as profession but as passive clients.” From these, women are users of the designed built environment as there are only few to have the opportunity to design them. This forces women to adapt to the way environments have been designed (by men). There is a concern where many women architects, landscape architects, planners, builders and designers such as Catharine Beecher, Louise Bethune. Eileen Gray, Julia Morgan, and others are not formally identified with professions. Many of their works have been credited to their male colleagues.

Another concern is that there is a lack of sensitivity towards women’s needs within the built environment. Design strategies and schemes often fail to consider women as a disadvantage group with exclusive needs, many of these needs are inadequately met or even un-met. This was evident in several Local Environmental Plans and Development Control Plans of the Sydney Metropolitan area that had not identified women as a disadvantage group to be included amongst the handicapped and elderly in design issue. Having considered women’s issues within the built environment, in concluding one must ask are the fundamentals of professions of the built environment gender biased? Whilst the outcomes of these are gender biased, the fundamentals of planning require subsequent analysis in order to resolve the question. “.. not only do men and women view a common world from different perspectives, they view different worlds as well.” The issues raised are not subject to strictly to women, but men also experience them though with less intensity.

In addressing these issues a gender sensitive environment will be beneficial to all. Bibliography 1. Allen, J., Evidence and Silence: Feminism and the Limits of History in Feminist Challenges, 1986. 2. Freestone, R., Florence Taylor: The Lady Town Planner of Loftus Street in New Planner, Dec 1991. 3. Hanna, B., Florence Taylor’s Hats in Architecture Bulletin, Oct 1986.

4. Hanna, B., Three Ferminist Analyses of the Built Environment in Architectural Theory Review, vol. 1, no.1, April 1996.

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