Midsummer Nights Dream

Midsummer Night’s Dream After a night of wandering through the woods, chasing fairies, having various potions rubbed over their eyes, falling in and out of love, and threatening each other’s lives and limbs, the four lovers of A Midsummer Night’s Dream wake up in the forest to the trumpeting of horns and find themselves surrounded by nobility. It’s no wonder they are confused, and “cannot truly say . .” (IV.1.7) how they ended up where they are and what happened the night before. But what they are sure about is how they feel towards one another. Whether it’s a love that has faded, grown anew or been there all along, the four lovers possess a certainty about who (m) they love that is as strong if not stronger than it is at any other point in the play. Lysander is the first of the four paramours to react to Theseus’ wonderment at their situation.

He admits that “I shall reply amazedly, /Half sleep, half waking. But as yet, I swear, /I cannot truly say how I came here.” (IV.1.145-7). In this excerpt, Lysander’s tone is understandably a bit dazed and unsure, and his response is littered with uncertainty. This tone of astonishment is also present in the thoughts of Demetrius, Helena, and Hermia. “Methinks I see these things with parted eye, /When everything seems double” (IV.1.188-9) exclaims Hermia, and Helena agrees that “So methinks.”(IV.1.190). Demetrius is so bewildered that he finds it necessary to ask the others “Are you sure that we are awake? It seems to me/ That yet we sleep, we dream.” (IV.1.192-4).

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The underlying tone throughout this ‘waking scene’ is one of uneasiness and confusion between dreams and reality; but the only time the lovers express real uncertainty is while they are sorting out what just happened in front of them involving the Duke and his hunting party. Demetrius asks the others “Do not you think/The Duke was here, and bid us follow him?” (IV.1.194-5), and only concludes that “Why, then, we are awake.” (IV.1.197) after receiving confirmation from the others. But this tone of uncertainty fades when the four talk about their true loves. Demetrius admits that “I wot know by what power . .

.” (IV.1.163) that his love for Hermia has “Melted as the snow . . .”(IV.1.165), but he is sure that “The object and the pleasure of mine eye, /is only Helena.” (IV.1.169-70). Lysander and Hermia don’t even refer to their love as anytime being in doubt–their confusion again only pertains to what is happening presently; what Hermia sees as if out of focus, “with parted eye . .” (IV.1.188). While it would take a whole other paper to debate whether or not Demetrius is really in love with Helena in his drugged state, she at least is convinced of his love.

In the woods, Helena was sure that Demetrius’ vows of adoration were to scorn her, and even as he claimed to love her, she lamented “Wherefore speaks he this/To her he hates?” (III.2.227-8). But the next morning, she regards his vows with less doubt, and instead reflects that she has “Found Demetrius, like a jewel/Mine own and not mine own.”(IV.1.190). She acknowledges that Demetrius was lost to her own at one point, but more importantly she now knows that he is found. Helenas new acceptance of Demetrius love could be because his vows are much more concrete than they were in the woods. There Demetrius proclaimed his love through claims of admiration and idolatry; using spin words of poets without real depth, like when he awakens and out of the blue declares Helena to be a “goddess, nymph, perfect, divine .

. .” (III.2.137). In the morning his declarations carry an air of more reason, and focus not on empty catch-phrases of beauty and passion. Instead, Demetrius declares more what he feels, saying “Now I do wish [for Helena’s love], love it, long for it, /And will for evermore be true to it.”(IV.1.174-5). His feelings of love are now more certain and confident, thus he is able to express them with language more concrete.

Midsummer Night’s Dream

Midsummer Night`s DreamCharacter Analysis Hermia When we first meet Hermia she is the typical girl in
love against her fathers wishes. Obviously we see from the start that she is
very devoted to Lysander, her love, and she does not like to be forced to do
things that she does not want. She does not want to marry Demetrius even though
her father has pretty much told her it is that or death. Yes, she could always
go live in a nunnery or live a life of chastity but who really wants that. So
from the start we see that she is very adamant and very in love. Before going
into Hermias inner self I must address her physical appearance. She is Egeus
daughter and she is a tiny woman with a dark completion. She is often mocked for
this like when Helena and her were quarreling in the woods Hermia says this in
regards to height Now I perceive that she hath made compare between our
statures: she hath urged her height, And with her personage, her tall personage,
Her height, forsooth, she hath prevailed with him. (Act III Scene 2 Line
292). So obviously she is aware of her lack in height and it seems to cause her
a bit of pain. Though Helena is taller than Hermia even she admits that Hermia
has sparkling eyes and a lovely voice. Hermia is very set in what she
wants from the very first scene. She has eyes only for Lysander.So obviously she
is very faithful. Even when faced with the decision her father gave her she did
not waver for a second in her love for him. Throughout the story Hermias
emotions were kind of tossed around and at one point she even says, Am I not
Hermia? Are you not Lysander? (Act III Scene 2 line 274). So we see that she
gets a little confused and a bit hurt when hurt feelings we cast aside. At that
point in the story I think she lost a part of her self. She had put a part of
her self in side Lysander a he had just brushed it away. So when Lysander came
back to her she then became herself again. So in that we see that she has
intrusted herself in Lysander and had no doubt that he loved her. Boy did she
get a slap in the face. Hermia is a very key figure in the story so she has
relations with almost all the characters in the story. The first and most
important relationship Hermia had was with the man she loved, Lysander. From the
start we see that Hermia loved Lysander with all her heart and he loved her the
same in return. The only time that there was a flaw in their relationship was
when Puck put the magic into Lysander’s eyes and he fell in love with Helena.

Hermia had very right to be mad and to feel rejected. But once Puck straightened
out his goof up their relationship went back to the euphoric state like before.

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The next relationship is that of Helenas and Hermias. These two grew up
together and were probably extremely close all their life. Then they hit
womanhood and there it went crazy. Hermia was loved by everyone including
Demetrius, the one Helena wanted. So obviously Helena was jealous and she had a
right to be. So at this point in their lives there was a major strain in their
relationship. In the end though it all turns out all right. Both of them are
with who they want to be with. Hermia and Egues relationship is that of a
typical father-daughter relationship. Egues only wants the best for is daughter
and Hermia is only thinking about her own welfare. She loves Lysander and her
father does not think he is the best man to marry his little girl. So as for
that their relationship is completely healthy. Hermia just saysI would
my father looked but with my eyes. (Act I Scene 1 line 56). But fathers can
definitly be that way at times. They see what they want to see. Hermia and
Demetrius are only but members in the same love triangle. There is truly no hope
that Hermia will ever love Demetrius in return unless Puck comes along with his
magic flower. So as far as that goes unless magic is involve there is really no
hope. Hermia is very sure of who she loves. Overall Hermia was very true to her
emotions. She new what she wanted and eevn in the face of losing the love of her
life she stayed strong yet hot tempered about the whole thing. Amazingly enough
through out all the confusion Hermia stayed very much in control.


Midsummer Nights Dream

Midsummer Night`s Dream In Shakespeare’s “A Midsummer Night’s Dream” the mortal teenage characters fall in love foolishly, and the character Bottom states, “O what fools these mortals be”. They are foolish because they act like children. Although Lysander, Hermia, Demetrius, and Helena appear grown-up, when they are in love they act foolishly. The four teenage lovers are fools. Demetrius is a fool because he is unaware that his love changes through out the play.

At the start of the play Demetrius does not love Helena. (II ii,line 188) Demetrius says, “I love thee not, therefore pursue me not.” (II ii,line 194) “Hence, get thee gone, and follow me no more.” In III ii, Demetrius after being juiced begins to love Helena. (III ii,line 169-173) Demetrius says, “Lysander, keep thy Hermia; I will none. If e’er I loved her, all that love is gone. My heart to her but as guest- wise sojourned, And now to Helen is it home returned, There to remain.” This proves he is a fool, because he is not aware of his changing love for Helena. Helena is a fool because Demetrius does not love her but she still persists in chasing him.

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Demetrius shows no love for Helena. (II i,line 227-228) Demetrius says, “I’ll run from thee, and hide me in the brakes, And leave thee to the mercy of wild beasts.” (II i,line 199-201) “Do I entice you? Do I speak you fair? Or rather do I not in plainest truth Tell you I do not, nor I cannot love you?” Demetrius clearly illustrates to Helena that he has no interest, but Helena persists. (II i,line 202-204) Helena says, “And even for that do I love you the more. I am your spaniel; and, Demetrius, The more you beat me, I will fawn on you.” (II i,line 220-222) “Your virtue is my privilege. For that It is not night when I do see your face, Therefore I think I am not in the night;” This proves that Helena is a fool because Demetrius does not love her, but she still persists. Lysander is a fool because he persuades Hermia to avoid death and run away with him.

Hermia must marry Demetrius or she will be put to death. (I i,line 83-88) Theseus says, “Take time to pause, and, by the next new moon- The sealing-day betwixt my love and me, For everlasting bond fellowship- Upon that day either prepare to die For disobedience to your father’s will, Or else to wed Demetrius, as he would,” Hermia does not love Demetrius. (I i,line 140) Hermia says, “O hell! To choose love by another’s eyes.” Hermia loves Lysander. (I i,line 150-155) “If then true lovers have been ever crossed, It stands as an edict in destiny. Then let us teach or trial patience, Because it is a customary cross, As due to love, as thoughts and dreams and sighs, Wishes and tears, poor fancy’s followers.” Lysander has an alternative idea.

(I i,line 157-159) Lysander says, “I have a widow aunt, a dowager Of great revenue, and she hath no child; *From Athens is her house remote seven leagues.” (I i,line 164- 165) “Steal forth thy father’s house tomorrow night, And in the wood, a league without the town.” Lysander is a fool because he convinces Hermia to risk death and run away with him. Hermia is a fool because she risks death for love. Hermia is to marry Demetrius, or be put to death. (I i,line 95-98) Egeus says, “Scornful Lysander, true, he hath my love, And what is mine my love shall render him. And she is mine, and all my right of her I do estate unto Demetrius.” Lysander suggests an idea.

(I i,line 157-159) Lysander says, “A good persuasion. Therefore her me, Hermia. I have a aunt, a dowager Of great revenue, and she hath no child;” Hermia agrees with the idea. (I i,line 168-169) Hermia says, “My good Lysander, I swear to thee by Cupid’s strongest bow,” (I i,line 178) “Tomorrow truly will I meet thee.” Hermia is a fool because she is risking death for the love of Lysander. Therefore this proves, the four teenage lovers are fools.

(VI i, Theseus states) “Lovers and madmen have such seething brains, Such shaping fantasies, that apprehend More than cool reason ever comprehends.” William Shakespeare’s A Midsummers Night’s Dream shows how childishly foolish lovers can be.


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