Comparing-The Pact And Memoirs Of A Geisha English I.S.U-The Pact and Memoirs of a Geisha In the novels The Pact, by Jodi Piocoult and Memoirs of a Geisha, by Arthur Golden there is a strong reflection of life and its negative aspects. Not only do both novels involve a female whos life is controlled by those around her, but the girls are also controlled by a desired conception of themselves that they feel they have to achieve. The predominant ideas that exist in both works are those concerned with ones personal will to live a certain way and to achieve goals that are believed to grant success. Both stories involve a female who, through out her life, endures the pain that sometimes comes with the bleak reality of our world. The childhood traumas and the severe pressure exerted upon each of the woman causes them to suffer; However Sayuri, although, she is deprived of her individual freedom, uses her situation to its full potential where as Emily can not deal with the pain and has a mental breakdown. Both Sayuri, in Memoirs of a Geisha and Emily in The Pact suffer through a childhood trauma. Sayuri, begins her life in the small town of Yoroido, Japan, where she lives with her family and knows herself at this time, as Chiyo; her name does not change to Sayuri until years later. Sayuri is dealing with the deterioration of her mother who is ill with cancer, and is preparing for her death, while her father is a quiet, distant man who neither knows Sayuri or her sister, Satsu. It isone afternoon when her father, with out confronting his wife or children makes a deal with a significant man to sell his children. Sayuri is taken to see a lady who inspects her in appalling ways to find out if she is suitable to be sold.
Sayuri soon finds herself on a train leaving Yoroido, where she will be separated from her entire family and transported to a far town called Gion. Years later, while being treated as a slave in an Okiya, a Japanese Geisha house in Japan, Sayuri is still traumatised by what happened to her. I couldnt stop thinking about Mr. Tanaka. He had taken me from my mother and father and sold me for slavery.
He sold my sister to something even worse (Golden, 82). Sayuri never sees her parents again, for she receives a letter some time after she had been taken informing her that her parents had past away. Sayuri is left in an unfamiliar world alone, and sees no hope for a brighter future. It would have been enough to know that my father had died, or that my mother had died. But to learn in a single moment that both my mother and father had died and left me and that my sister too was lost to me foreverat once my mind felt like a broken vase that would not stand.
I was lost even with in the room around me (Golden,103). With these experiences, it makes it difficult for Sayuri to see anything positive in a life that has only offered her sorrow. Emily Gold in The Pact also under goes a devastating childhood experience. When Emily is very young, she is raped by an employee of Macdonalds restaurant when she goes to use the bathroom there one afternoon. Emily never speaks a word of this incident to anyone.
As hard as she tries to forget about this occurrence, and put it behind her, it is too difficult. The memories of the rape haunt her when she is making love to her boyfriend, Chris. Instead of her seeing her lovers hands touching her, she envisions the dirty paws of the man that abused her years ago. Everything was sharper. She could smell his black breath, feel the course hairs on the back of his hand, see her own face staring back at her.
She was wearing something with an elastic waist; it snapped back against her hips. There were the familiar sensations of his fingernails scratching at her. His palms grinding up against her nipples, the burning between her legs. But this time there was more. The droning whirr of what?-bees? The tang of disinfectant. And the unmistakable scent of a kitchen, of something being fried in grease (Picoult, 175).
Emily has visions of the rape in her dreams and in reality. This makes her feel dirty and worthless and she begins to wonder why she cant feel secure with anyone, including her own boyfriend, the guy she grew up with. Because of this traumatising experience, Emily has lost her trust in people and is now self conscious and afraid to be touched by anyone else. It is manifest that Emily and Sayuri experience some brutal incidents in their childhood, and also clear that these occurrences effect them still years later. Both Emily and Chiyo are pressured and controlled through out their life by those around them and by their own personal ideas of life.
When Sayuri is sent to live at the Okiya, it is made clear to her that the only way she will be successful in life is if she becomes a well-known Geisha. If she does not succeed , her life is doomed. As soon as she arrives at the Okiya, it is made quite clear what is expected of her. If you work very hard, and obey everyone around you, youll grow up to be a geisha yourself one day. But you wont make it as far as next week unless you listen to mother and I very closely, and do exactly as you are expected to do (Golden, 40).
At this point, all of the doors of dream and opportunity are closed to Sayuri as she is forced into something, that she does not particularly want to do, but would prefer it to being a slave for the rest of her life. In Memoirs of a Geisha, the world that is entered is one where appearances are paramount; where a girls virginity is auctioned to the highest bidder; where woman are trained to beguile the most powerful men; and where love is scorned as illusion. Sayuris life, when she is taken from Yoroido to Gion went through the dramatic change of belonging to her, to being owned by those around her who are more powerful in terms of wealth and status. As Sayuri gradually becomes more successful as a geisha, she no longer has control over, even, her own identification. Mahema, an experienced geisha, becomes her geisha sister.
This is when Chiyos name is officially changed to Sayuri. As Sayuri gets older, she is told that it is time to lose her virginity. Love, in her case is not an issue, but it is the man who pays the most amount of money, that will take away her innocence forever. Instead of Sayuri ever getting married, she will be assigned to a danna, a man who will support her financially. Once Sayuri is linked with her danna, there forms a karmic bond that will last a lifetime. Although Sayuri dreams of being together with a man she has loved for years, she is forced to be under the control of Nobu, a wealthy businessman.
Sayuri, once with him, is never allowed to be with anyone else. When Sayuri express her feelings to Mahema that she wants more than kindness out of the man she is going to spend the rest of her life with, Mahema immediately reprimands her. I thought we all wanted kindness. Perhaps what you mean is that you want something more than kindness. And that is something you are in no position to ask (Golden, 296). Sayuri feels the sorrow when Mahema explains this to her.
She can not imagine spending the rest of her life with someone she has no feelings for. Sayuri explains to Mahema that there are things she has always dreamed about, and Mahema’s response upsets Sayuri further. Youre afraid that after Nobu has touched you, all youre dreams can never be? Really Sayuri, what did you think life as a Geisha would be like? We dont become geisha so our lives will be satisfying. We become geisha because we have no other choiceYoung girls hope all sorts of foolish things, Sayuri. Hopes are like hair ornaments. Girls want to wear too many of them.
When the get older, they look silly wearing even one (Golden, 297). Through Sayuris life as a geisha, she is unable to make the decision who she will lose her virginity to, she is unable to even approach the man she loves let alone be with him, and her opportunities and chances for accomplishing her dreams are diminished into nothing. The only choice I can ever make is what kimono I will wear (Golden, 313). Sayuri spends her life in Gion, serving for wealthy men, and practising to be, how others want her to be. Emily in The Pact is also controlled by those around her, and by a perception of herself that she feels she must portray.
Through out Emilys lif …